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W. A. Mozart: La Clemenza di Tito Rice Paperback Cambridge University Press
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Product Description
W. A. Mozart: La Clemenza di Tito
The first book to be devoted to Mozart's opera, La clemenza di Tito, with historical and critical analysis.
John A. Rice (Author)
9780521369497, Cambridge University Press
Paperback / softback, published 24 June 1991
196 pages
22.3 x 14.2 x 1.5 cm, 0.285 kg
\""...must now be regarded as essential reading.\""
Notes
This is the first book to be devoted to Mozart's opera, La clemenza di Tito. Rice considers the opera from a variety of historical and critical viewpoints. Tito is a political opera. The author examines its origins in the politically unstable Habsburg Empire of 1791, interpreting it as a response to revolutionary threats both inside and outside the empire. Tito is also a literary opera: much of its dramatic power lies in its libretto. Rice analyses Metastasio's libretto and the revised version that Mozart set. The volume explores aspects of Mozart's compositional process, the premiere in Prague, and subsequent critica]
W. A. Mozart: La Clemenza di Tito Rice Paperback Cambridge University Press
W. A. Mozart: La Clemenza di Tito
The first book to be devoted to Mozart's opera, La clemenza di Tito, with historical and critical analysis.
John A. Rice (Author)
9780521369497, Cambridge University Press
Paperback / softback, published 24 June 1991
196 pages
22.3 x 14.2 x 1.5 cm, 0.285 kg
\""...must now be regarded as essential reading.\""
Notes
This is the first book to be devoted to Mozart's opera, La clemenza di Tito. Rice considers the opera from a variety of historical and critical viewpoints. Tito is a political opera. The author examines its origins in the politically unstable Habsburg Empire of 1791, interpreting it as a response to revolutionary threats both inside and outside the empire. Tito is also a literary opera: much of its dramatic power lies in its libretto. Rice analyses Metastasio's libretto and the revised version that Mozart set. The volume explores aspects of Mozart's compositional process, the premiere in Prague, and subsequent critica]
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