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The Cambridge Companion to Bartók Bayley Paperback Cambridge University Press

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The Cambridge Companion to Bart\u00F3k

This is a wide-ranging and accessible guide to Bart\u00F3k and his music.

Amanda Bayley (Edited by)

9780521669580, Cambridge University Press

Paperback / softback, published 26 March 2001

288 pages

24.8 x 17.5 x 1.7 cm, 0.496 kg

\""The contributors maintain a consistent, jargon-free style. Music examples, graphs, and illustrations meet the high standards of clarity expected from this publisher....Highly recommended.\""

Choice

This Companion is an accessible guide to Bart\u00F3k's music and is an ideal introduction to the composer for students, performers and concert-goers. Part I of the book sets out the cultural, social and political background in Hungary at the beginning of the twentieth century, and considers Bart\u00F3k's interest in and research into folk music. Part II surveys his compositional output in all genres, relating changes in style to broad aesthetic issues, his folk music studies, and his activities as a pia]

The Cambridge Companion to Bartók Bayley Paperback Cambridge University Press

The Cambridge Companion to Bart\u00F3k

This is a wide-ranging and accessible guide to Bart\u00F3k and his music.

Amanda Bayley (Edited by)

9780521669580, Cambridge University Press

Paperback / softback, published 26 March 2001

288 pages

24.8 x 17.5 x 1.7 cm, 0.496 kg

\""The contributors maintain a consistent, jargon-free style. Music examples, graphs, and illustrations meet the high standards of clarity expected from this publisher....Highly recommended.\""

Choice

This Companion is an accessible guide to Bart\u00F3k's music and is an ideal introduction to the composer for students, performers and concert-goers. Part I of the book sets out the cultural, social and political background in Hungary at the beginning of the twentieth century, and considers Bart\u00F3k's interest in and research into folk music. Part II surveys his compositional output in all genres, relating changes in style to broad aesthetic issues, his folk music studies, and his activities as a pia]

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