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Music, Subjectivity, and Schumann Taylor Hardback Cambridge University Press

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Music, Subjectivity, and Schumann

What is musical subjectivity? Drawing on philosophy and critical theory, Benedict Taylor investigates this concept in relation to Schumann.

Benedict Taylor (Author)

9781009158084, Cambridge University Press

Hardback, published 7 April 2022

350 pages

25.1 x 17.5 x 2.5 cm, 0.819 kg

The concept of subjectivity is one of the most popular in recent scholarly accounts of music; it is also one of the obscurest and most ill-defined. Multifaceted and hard to pin down, subjectivity nevertheless serves an important, if not indispensable purpose, underpinning various assertions made about music and its effect on us. We may not be exactly sure what subjectivity is, but much of the reception of Western music over the last two centuries is premised upon it. Music, Subjectivity, and Schumann offers a critical examination of the notion of musical subjectivity and the first extended account of its applicability to one of the composers with]

Music, Subjectivity, and Schumann Taylor Hardback Cambridge University Press

Music, Subjectivity, and Schumann

What is musical subjectivity? Drawing on philosophy and critical theory, Benedict Taylor investigates this concept in relation to Schumann.

Benedict Taylor (Author)

9781009158084, Cambridge University Press

Hardback, published 7 April 2022

350 pages

25.1 x 17.5 x 2.5 cm, 0.819 kg

The concept of subjectivity is one of the most popular in recent scholarly accounts of music; it is also one of the obscurest and most ill-defined. Multifaceted and hard to pin down, subjectivity nevertheless serves an important, if not indispensable purpose, underpinning various assertions made about music and its effect on us. We may not be exactly sure what subjectivity is, but much of the reception of Western music over the last two centuries is premised upon it. Music, Subjectivity, and Schumann offers a critical examination of the notion of musical subjectivity and the first extended account of its applicability to one of the composers with]

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