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Song on Record: Volume 1, Lieder Blyth Paperback Cambridge University Press

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Song on Record: Volume 1, Lieder

A history of the Lied and its interpretation, with a guide to available recordings.

Alan Blyth (Edited by)

9780521027960, Cambridge University Press

Paperback / softback, published 2 November 2006

364 pages

22.8 x 15.2 x 2 cm, 0.556 kg

'\u2026 the chapters contain a tremendous wealth of material \u2026' The Schubertian

This first volume of Song on Record, devoted to Lieder, provides a critical guide to performance on record from the early days of the gramophone to the present day. Alan Blyth, with a team of distinguished writers and critics, has covered comprehensively the main strands of each composer's output in the field, from Haydn and Mozart to Schoenberg and Berg, together with illuminating and entertaining discussion of the differing interpretations found on the selected recordings. The book is thus as much a history of the Lied and its interpretation as a guide to available recordings and will be of interest to musicologi]

Song on Record: Volume 1, Lieder Blyth Paperback Cambridge University Press

Song on Record: Volume 1, Lieder

A history of the Lied and its interpretation, with a guide to available recordings.

Alan Blyth (Edited by)

9780521027960, Cambridge University Press

Paperback / softback, published 2 November 2006

364 pages

22.8 x 15.2 x 2 cm, 0.556 kg

'\u2026 the chapters contain a tremendous wealth of material \u2026' The Schubertian

This first volume of Song on Record, devoted to Lieder, provides a critical guide to performance on record from the early days of the gramophone to the present day. Alan Blyth, with a team of distinguished writers and critics, has covered comprehensively the main strands of each composer's output in the field, from Haydn and Mozart to Schoenberg and Berg, together with illuminating and entertaining discussion of the differing interpretations found on the selected recordings. The book is thus as much a history of the Lied and its interpretation as a guide to available recordings and will be of interest to musicologi]

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