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Wallace Stevens and the Aesthetics of Abstraction Ragg Hardback 9780521190862

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Wallace Stevens and the Aesthetics of Abstraction

This book embraces philosophical and artistic perspectives, analyzing Stevens's place within Modernist debates concerning literature, painting, and representation.

Edward Ragg (Author)

9780521190862, Cambridge University Press

Hardback, published 15 July 2010

262 pages

22.9 x 15.2 x 1.6 cm, 0.52 kg

'[This book] is tightly argued throughout, drawing upon Stevens' essays and letters to illustrate the poet's engagement with modernist art theory and philosophy, and to map his evolving sense of an abstract aesthetic \u2026 Ragg makes a particularly strong case for considering Stevens' gustatory imagination. Ever alert to the pleasures of eating and drinking in Stevens' poetry, [he] argues that the physical and sensual 'are often the sites for the catalysis of his abstract imagination', adding that 'the tendency to oppose the sensual to the abstract denies readers insight into this aspect of Stevens' work'.' Alex Runchman]

Wallace Stevens and the Aesthetics of Abstraction Ragg Hardback 9780521190862

Wallace Stevens and the Aesthetics of Abstraction

This book embraces philosophical and artistic perspectives, analyzing Stevens's place within Modernist debates concerning literature, painting, and representation.

Edward Ragg (Author)

9780521190862, Cambridge University Press

Hardback, published 15 July 2010

262 pages

22.9 x 15.2 x 1.6 cm, 0.52 kg

'[This book] is tightly argued throughout, drawing upon Stevens' essays and letters to illustrate the poet's engagement with modernist art theory and philosophy, and to map his evolving sense of an abstract aesthetic \u2026 Ragg makes a particularly strong case for considering Stevens' gustatory imagination. Ever alert to the pleasures of eating and drinking in Stevens' poetry, [he] argues that the physical and sensual 'are often the sites for the catalysis of his abstract imagination', adding that 'the tendency to oppose the sensual to the abstract denies readers insight into this aspect of Stevens' work'.' Alex Runchman]

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