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Companion to Russian Studies: Volume 3, An Introduction to Russian Art and Arch…

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Companion to Russian Studies: Volume 3, An Introduction to Russian Art and Architecture

This book treats Russian art and architecture up to the 1970s together and relates them to the social and intellectual pressures of the Russian age.

Robert Auty (Edited by), Dimitri Obelensky (Edited by), Anthony Kingsford (Assisted by)

9780521283847, Cambridge University Press

Paperback / softback, published 16 July 1981

212 pages

22.9 x 15.2 x 1.2 cm, 0.32 kg

This is a paperback of a one-volume introduction to the history of Russian art and architecture from medieval times to the 1970s. Robin Millner-Gulland focuses on Old Russia down to the mid-nineteenth century, stressing some of the important discoveries made since the last war about methods of building in the Middle Ages. John Bowlt writes on the period from 1860 to the present day and highlights that socialist realism was by no means been the only form of expression produced during the half century before 1981, when this]

Companion to Russian Studies: Volume 3, An Introduction to Russian Art and Arch…

Companion to Russian Studies: Volume 3, An Introduction to Russian Art and Architecture

This book treats Russian art and architecture up to the 1970s together and relates them to the social and intellectual pressures of the Russian age.

Robert Auty (Edited by), Dimitri Obelensky (Edited by), Anthony Kingsford (Assisted by)

9780521283847, Cambridge University Press

Paperback / softback, published 16 July 1981

212 pages

22.9 x 15.2 x 1.2 cm, 0.32 kg

This is a paperback of a one-volume introduction to the history of Russian art and architecture from medieval times to the 1970s. Robin Millner-Gulland focuses on Old Russia down to the mid-nineteenth century, stressing some of the important discoveries made since the last war about methods of building in the Middle Ages. John Bowlt writes on the period from 1860 to the present day and highlights that socialist realism was by no means been the only form of expression produced during the half century before 1981, when this]

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