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The Discourse of Enlightenment in Eighteenth-Century France Brewer Hardback
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Product Description
The Discourse of Enlightenment in Eighteenth-Century France
Diderot and the Art of Philosophizing
This study focuses on Denis Diderot, whose experimentation with presenting critical knowledge exemplifies the Enlightenment's struggle to produce a rationalist critique of all prior knowledge.
Daniel Brewer (Author)
9780521414838, Cambridge University Press
Hardback, published 29 April 1993
316 pages
22.2 x 14.4 x 2.9 cm, 0.586 kg
This study explores the problems faced by writers of the Enlightenment, who attempted to demystify all previous forms of knowledge by applying rationalist critiques that can in turn be applied to examine their own critical work. It focuses on the works of one of the best-known writers of eighteenth-century France, Denis Diderot, analysing his experimentation with presenting critical knowledge. Paying close attention to the formal-poetic nature of Diderot's writing, his 'art', it examines the interplay between critical knowledge and its rep]
The Discourse of Enlightenment in Eighteenth-Century France Brewer Hardback
The Discourse of Enlightenment in Eighteenth-Century France
Diderot and the Art of Philosophizing
This study focuses on Denis Diderot, whose experimentation with presenting critical knowledge exemplifies the Enlightenment's struggle to produce a rationalist critique of all prior knowledge.
Daniel Brewer (Author)
9780521414838, Cambridge University Press
Hardback, published 29 April 1993
316 pages
22.2 x 14.4 x 2.9 cm, 0.586 kg
This study explores the problems faced by writers of the Enlightenment, who attempted to demystify all previous forms of knowledge by applying rationalist critiques that can in turn be applied to examine their own critical work. It focuses on the works of one of the best-known writers of eighteenth-century France, Denis Diderot, analysing his experimentation with presenting critical knowledge. Paying close attention to the formal-poetic nature of Diderot's writing, his 'art', it examines the interplay between critical knowledge and its rep]
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