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The Persistence of Romanticism Essays in Philosophy and Literature Eldridge

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The Persistence of Romanticism

Essays in Philosophy and Literature

This volume, first published in 2001, argues that Romantic thought remains central to both artistic work and philosophical understanding.

Richard Eldridge (Author)

9780521804813, Cambridge University Press

Paperback / softback, published 5 February 2001

264 pages

22.9 x 15.2 x 1.5 cm, 0.39 kg

\""What is impressive about Eldrige's work is that he is able to keep an eye on the important literary legacy of Romanticism without failing to provide sharp analysis of the central philosophical commitments that shaped early German Romantic philosophy, for example, anti-foundationalism and mediality.\""

Philosophy Today, Elizabeth Milli\u00C2n-Zaibert

These challenging essays in this volume, first published in 2001, defend Romanticism against its critics. They argue that Romantic thought, interpreted as the pursuit of freedom in concrete contexts, remains a central and exemplary form of both artistic work]

The Persistence of Romanticism Essays in Philosophy and Literature Eldridge

The Persistence of Romanticism

Essays in Philosophy and Literature

This volume, first published in 2001, argues that Romantic thought remains central to both artistic work and philosophical understanding.

Richard Eldridge (Author)

9780521804813, Cambridge University Press

Paperback / softback, published 5 February 2001

264 pages

22.9 x 15.2 x 1.5 cm, 0.39 kg

\""What is impressive about Eldrige's work is that he is able to keep an eye on the important literary legacy of Romanticism without failing to provide sharp analysis of the central philosophical commitments that shaped early German Romantic philosophy, for example, anti-foundationalism and mediality.\""

Philosophy Today, Elizabeth Milli\u00C2n-Zaibert

These challenging essays in this volume, first published in 2001, defend Romanticism against its critics. They argue that Romantic thought, interpreted as the pursuit of freedom in concrete contexts, remains a central and exemplary form of both artistic work]

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