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Byron and Romanticism McGann Soderholm Hardback Cambridge University Press

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Byron and Romanticism

This 2002 collection of essays represents twenty-five years of McGann's work on Romanticism and Byron Studies.

Jerome McGann (Author), James Soderholm (Edited by)

9780521809580, Cambridge University Press

Hardback, published 15 August 2002

328 pages

23.7 x 15.9 x 2.6 cm, 0.623 kg

'This eclectic, thought-provoking volume is an important addition to the Cambridge series of Studies in Romanticism.' The Byron Journal

This 2002 collection of essays represents twenty-five years of work by one of the most important critics of Romanticism and Byron studies, Jerome McGann. The collection demonstrates McGann's evolution as a scholar, editor, critic, theorist, and historian. His 'General Analytic and Historical Introduction' to the collection presents a meditation on the history of his own research on Byron, in particular how scholarly editing interacted with the theoretical innovations in literary criticism over the last quarter of the twentieth cent]

Byron and Romanticism McGann Soderholm Hardback Cambridge University Press

Byron and Romanticism

This 2002 collection of essays represents twenty-five years of McGann's work on Romanticism and Byron Studies.

Jerome McGann (Author), James Soderholm (Edited by)

9780521809580, Cambridge University Press

Hardback, published 15 August 2002

328 pages

23.7 x 15.9 x 2.6 cm, 0.623 kg

'This eclectic, thought-provoking volume is an important addition to the Cambridge series of Studies in Romanticism.' The Byron Journal

This 2002 collection of essays represents twenty-five years of work by one of the most important critics of Romanticism and Byron studies, Jerome McGann. The collection demonstrates McGann's evolution as a scholar, editor, critic, theorist, and historian. His 'General Analytic and Historical Introduction' to the collection presents a meditation on the history of his own research on Byron, in particular how scholarly editing interacted with the theoretical innovations in literary criticism over the last quarter of the twentieth cent]

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