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Shakespeare's Late Style McDonald Hardback Cambridge University Press

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Shakespeare's Late Style

A study of the poetry spoken in Shakespeare's late plays, including The Winter's Tale.

Russ McDonald (Author)

9780521820684, Cambridge University Press

Hardback, published 10 August 2006

272 pages

22.9 x 15.2 x 1.6 cm, 0.53 kg

Review of the hardback: '\u2026 what stands out above all from Shakespeare's Late Style is the critic's sheer delight in the language of the plays, his determination to investigate the mechanics of their verbal force while never losing sight of the pleasure and frisson of their effect, and the sheer clarity of description that his enthusiasm brings with it. McDonald's book feels like a genuine labour of love; it is also a tour de force, one that all Shakespeareans should read and absorb if we are to know what we really mean when we refer to the playwright's 'late style'.' Gordon McMullan, King's College London

When Shakespeare gave up tragedy around 1607 and turned to the new form we call romance or tragicomedy, he]

Shakespeare's Late Style McDonald Hardback Cambridge University Press

Shakespeare's Late Style

A study of the poetry spoken in Shakespeare's late plays, including The Winter's Tale.

Russ McDonald (Author)

9780521820684, Cambridge University Press

Hardback, published 10 August 2006

272 pages

22.9 x 15.2 x 1.6 cm, 0.53 kg

Review of the hardback: '\u2026 what stands out above all from Shakespeare's Late Style is the critic's sheer delight in the language of the plays, his determination to investigate the mechanics of their verbal force while never losing sight of the pleasure and frisson of their effect, and the sheer clarity of description that his enthusiasm brings with it. McDonald's book feels like a genuine labour of love; it is also a tour de force, one that all Shakespeareans should read and absorb if we are to know what we really mean when we refer to the playwright's 'late style'.' Gordon McMullan, King's College London

When Shakespeare gave up tragedy around 1607 and turned to the new form we call romance or tragicomedy, he]

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