The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses
The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses by Laura Marks
Memories that evoke the physical awareness of touch, smell, and bodily
presence can be vital links to home for people living in diaspora from
their culture of origin. How can filmmakers working between cultures use
cinema, a visual medium, to transmit that physical sense of place and
culture? In The Skin of the Film Laura U. Marks offers an answer,
building on the theories of Gilles Deleuze and others to explain how
and why intercultural cinema represents embodied experience in a
postcolonial, transnational world.
Much of intercultural cinema, Marks
argues, has its origin in silence, in the gaps left by recorded
history. Filmmakers seeking to represent their native cultures have had
to develop new forms of cinematic expression. Marks offers a theory of
\u201Chaptic visuality\u201D\u2014a visuality that functions like the sense of touch by
triggering physical memories of sme.
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The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses
The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses by Laura Marks
Memories that evoke the physical awareness of touch, smell, and bodily
presence can be vital links to home for people living in diaspora from
their culture of origin. How can filmmakers working between cultures use
cinema, a visual medium, to transmit that physical sense of place and
culture? In The Skin of the Film Laura U. Marks offers an answer,
building on the theories of Gilles Deleuze and others to explain how
and why intercultural cinema represents embodied experience in a
postcolonial, transnational world.
Much of intercultural cinema, Marks
argues, has its origin in silence, in the gaps left by recorded
history. Filmmakers seeking to represent their native cultures have had
to develop new forms of cinematic expression. Marks offers a theory of
\u201Chaptic visuality\u201D\u2014a visuality that functions like the sense of touch by
triggering physical memories of sme.
Price now:
From
ÂŁ14.99
to
ÂŁ90.89
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Product Description
The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses by Laura Marks
Memories that evoke the physical awareness of touch, smell, and bodily
presence can be vital links to home for people living in diaspora from
their culture of origin. How can filmmakers working between cultures use
cinema, a visual medium, to transmit that physical sense of place and
culture? In The Skin of the Film Laura U. Marks offers an answer,
building on the theories of Gilles Deleuze and others to explain how
and why intercultural cinema represents embodied experience in a
postcolonial, transnational world.
Much of intercultural cinema, Marks
argues, has its origin in silence, in the gaps left by recorded
history. Filmmakers seeking to represent their native cultures have had
to develop new forms of cinematic expression. Marks offers a theory of
\u201Chaptic visuality\u201D\u2014a visuality that functions like the sense of touch by
triggering physical memories of sme.
Product Specifications
General | |
|---|---|
Type | Textbook |
Format | Paperback |
Language | English |
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