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Ideology in Britten's Operas Harper-Scott Hardback Cambridge University Press

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Ideology in Britten's Operas

Offers a thematic examination of Britten's operas, focusing particularly on the way that ideology is presented on stage.

J. P. E. Harper-Scott (Author)

9781108416368, Cambridge University Press

Hardback, published 6 September 2018

348 pages

25.3 x 18 x 2.1 cm, 0.86 kg

'\u2026 deeply original and brilliantly wrought \u2026 Ideology in Britten's Operas is an intellectually stimulating achievement-agile in critical-theoretical perspective, musical in its score analyses, and engaging to read. It is also an ambitious book, seeking in Britten's operas a testing-ground for a broader ideologically framed criticism.' Philip Rupprecht, Music and Letters

This thematic examination of Britten's operas focuses on the way that ideology is presented on stage. To watch or listen is to engage with a vivid artistic testament to the ideological world of mid-twentieth-century Britain. But it is more than that, too, because in many ways Britten's operas c]

Ideology in Britten's Operas Harper-Scott Hardback Cambridge University Press

Ideology in Britten's Operas

Offers a thematic examination of Britten's operas, focusing particularly on the way that ideology is presented on stage.

J. P. E. Harper-Scott (Author)

9781108416368, Cambridge University Press

Hardback, published 6 September 2018

348 pages

25.3 x 18 x 2.1 cm, 0.86 kg

'\u2026 deeply original and brilliantly wrought \u2026 Ideology in Britten's Operas is an intellectually stimulating achievement-agile in critical-theoretical perspective, musical in its score analyses, and engaging to read. It is also an ambitious book, seeking in Britten's operas a testing-ground for a broader ideologically framed criticism.' Philip Rupprecht, Music and Letters

This thematic examination of Britten's operas focuses on the way that ideology is presented on stage. To watch or listen is to engage with a vivid artistic testament to the ideological world of mid-twentieth-century Britain. But it is more than that, too, because in many ways Britten's operas c]

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