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Reviewing Shakespeare Prescott Paperback Cambridge University Press

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Reviewing Shakespeare

Journalism and Performance from the Eighteenth Century to the Present

Paul Prescott presents an engaging account of the ways in which theatre critics have responded to Shakespeare over four centuries.

Paul Prescott (Author)

9781108439077, Cambridge University Press

Paperback, published 1 March 2018

226 pages

23 x 15.3 x 1.3 cm, 0.35 kg

'\u2026 Prescott's survey is the first book about the subject, and as such makes an important contribution to correct 'the low esteem in which scholars have held journalists and journalistic criticism'.' Gefen Bar-On Santor, Ideas, Aesthetics, and Inquiries in the Early Modern Era

Ranging from David Garrick's Macbeth in the 1740s to the World Shakespeare Festival in London 2012, this is the first book to provide in-depth analysis of the history and practice of Shakespearean theatre reviewing. Reviewing Shakespeare describes the changing priorities and interpretative habits of theatre critics as they have b]

Reviewing Shakespeare Prescott Paperback Cambridge University Press

Reviewing Shakespeare

Journalism and Performance from the Eighteenth Century to the Present

Paul Prescott presents an engaging account of the ways in which theatre critics have responded to Shakespeare over four centuries.

Paul Prescott (Author)

9781108439077, Cambridge University Press

Paperback, published 1 March 2018

226 pages

23 x 15.3 x 1.3 cm, 0.35 kg

'\u2026 Prescott's survey is the first book about the subject, and as such makes an important contribution to correct 'the low esteem in which scholars have held journalists and journalistic criticism'.' Gefen Bar-On Santor, Ideas, Aesthetics, and Inquiries in the Early Modern Era

Ranging from David Garrick's Macbeth in the 1740s to the World Shakespeare Festival in London 2012, this is the first book to provide in-depth analysis of the history and practice of Shakespearean theatre reviewing. Reviewing Shakespeare describes the changing priorities and interpretative habits of theatre critics as they have b]

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