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The Empire at the Opéra Everist Paperback Cambridge University Press
The Empire at the Opéra Everist Paperback Cambridge University Press
The Empire at the Opéra Everist Paperback Cambridge University Press
The Empire at the Opéra Everist Paperback Cambridge University Press
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The Empire at the Opéra Everist Paperback Cambridge University Press

The Empire at the Op\u00E9ra

Theatre, Power and Music in Second Empire Paris

The Emperor Napol\u00E9on III brought the Paris Op\u00E9ra under the control of a handful of his most trusted politicians.

Mark Everist (Author)

9781108829380, Cambridge University Press

Paperback, published 21 January 2021

75 pages

23 x 15 x 0.4 cm, 0.12 kg

Although nineteenth-century legislation had tried to ensure a precise separation between genre and institution for Parisian music in the theatre, it had inadvertently laid out a field on which the politics of genre could be played out as agents and actors of all types deployed various forms of artistic power. During the Second Empire, from 1854 until 1870, the state took over day-to-day control of the Op\u00E9ra in ways that were without precedent. Every element of the Op\u00E9ra's activity was subjugated to the exigency of Empire; the selection or artists, works and more general questions of artistic policy were handed over to poli]

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The Empire at the Opéra Everist Paperback Cambridge University Press

The Empire at the Op\u00E9ra

Theatre, Power and Music in Second Empire Paris

The Emperor Napol\u00E9on III brought the Paris Op\u00E9ra under the control of a handful of his most trusted politicians.

Mark Everist (Author)

9781108829380, Cambridge University Press

Paperback, published 21 January 2021

75 pages

23 x 15 x 0.4 cm, 0.12 kg

Although nineteenth-century legislation had tried to ensure a precise separation between genre and institution for Parisian music in the theatre, it had inadvertently laid out a field on which the politics of genre could be played out as agents and actors of all types deployed various forms of artistic power. During the Second Empire, from 1854 until 1870, the state took over day-to-day control of the Op\u00E9ra in ways that were without precedent. Every element of the Op\u00E9ra's activity was subjugated to the exigency of Empire; the selection or artists, works and more general questions of artistic policy were handed over to poli]

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The Empire at the Op\u00E9ra

Theatre, Power and Music in Second Empire Paris

The Emperor Napol\u00E9on III brought the Paris Op\u00E9ra under the control of a handful of his most trusted politicians.

Mark Everist (Author)

9781108829380, Cambridge University Press

Paperback, published 21 January 2021

75 pages

23 x 15 x 0.4 cm, 0.12 kg

Although nineteenth-century legislation had tried to ensure a precise separation between genre and institution for Parisian music in the theatre, it had inadvertently laid out a field on which the politics of genre could be played out as agents and actors of all types deployed various forms of artistic power. During the Second Empire, from 1854 until 1870, the state took over day-to-day control of the Op\u00E9ra in ways that were without precedent. Every element of the Op\u00E9ra's activity was subjugated to the exigency of Empire; the selection or artists, works and more general questions of artistic policy were handed over to poli]

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Cambridge University Press

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