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Shakespeare's Stage Traffic Clare Paperback Cambridge University Press

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Shakespeare's Stage Traffic

Imitation, Borrowing and Competition in Renaissance Theatre

Contesting the notion of Shakespeare as originator, Clare demonstrates how Shakespeare adapted, imitated and borrowed from the work of others.

Janet Clare (Author)

9781316646557, Cambridge University Press

Paperback, published 26 October 2017

317 pages

22.7 x 15.2 x 1.8 cm, 0.46 kg

'\u2026 Clare [does] persuasive and innovative things with each of her chosen plays.' Gwilym Jones, Around the Globe

Shakespeare's unique status has made critics reluctant to acknowledge the extent to which some of his plays are the outcome of adaptation. In Shakespeare's Stage Traffic Janet Clare re-situates Shakespeare's dramaturgy within the flourishing and competitive theatrical trade of the late sixteenth and early seventeenth centuries. She demonstrates how Shakespeare worked with materials which had already entered the dramatic tradition, and how, in the spirit of Renaissance theory, he m]

Shakespeare's Stage Traffic Clare Paperback Cambridge University Press

Shakespeare's Stage Traffic

Imitation, Borrowing and Competition in Renaissance Theatre

Contesting the notion of Shakespeare as originator, Clare demonstrates how Shakespeare adapted, imitated and borrowed from the work of others.

Janet Clare (Author)

9781316646557, Cambridge University Press

Paperback, published 26 October 2017

317 pages

22.7 x 15.2 x 1.8 cm, 0.46 kg

'\u2026 Clare [does] persuasive and innovative things with each of her chosen plays.' Gwilym Jones, Around the Globe

Shakespeare's unique status has made critics reluctant to acknowledge the extent to which some of his plays are the outcome of adaptation. In Shakespeare's Stage Traffic Janet Clare re-situates Shakespeare's dramaturgy within the flourishing and competitive theatrical trade of the late sixteenth and early seventeenth centuries. She demonstrates how Shakespeare worked with materials which had already entered the dramatic tradition, and how, in the spirit of Renaissance theory, he m]

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