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Doing Time: Temporality, Hermeneutics, and Contemporary Cinema (SUNY series, Hor
Doing Time: Temporality, Hermeneutics, and Contemporary Cinema (SUNY series, Hor
Doing Time: Temporality, Hermeneutics, and Contemporary Cinema (SUNY series, Hor
Doing Time: Temporality, Hermeneutics, and Contemporary Cinema (SUNY series, Hor
Doing Time: Temporality, Hermeneutics, and Contemporary Cinema (SUNY series, Hor
Doing Time: Temporality, Hermeneutics, and Contemporary Cinema (SUNY series, Hor
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Doing Time: Temporality, Hermeneutics, and Contemporary Cinema (SUNY series, Hor

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Doing Time: Temporality, Hermeneutics, and Contemporary Cinema (SUNY series, Horizons of Cinema)

Very good condition

Doing Time addresses two areas of interest in recent film study\u2014film temporality and film philosophy\u2014to propose an innovative theorization of cinematic time that sees it as a dynamic process of engagement, or something we do as viewers. This active relation to cinematic time, which discloses a film\u2019s temporal character, is called its \u201Ctimeliness.\u201D Here it is traced across a range of fascinating case studies from Hollywood and the global art cinema, uncovering each film\u2019s characteristic way of \u201Cdoing time.\u201D Throughout, the ambiguities of filmic time are held as powerful attractions as they modulate film viewing: such pauses, gaps, repetitions, and stretches of time illuminate a living field that extends from viewing activity.

Drawing on the writings of French film critic and theorist Andr\u00E9 Bazin, as well as the phen.

Doing Time: Temporality, Hermeneutics, and Contemporary Cinema (SUNY series, Hor

Doing Time: Temporality, Hermeneutics, and Contemporary Cinema (SUNY series, Horizons of Cinema)

Very good condition

Doing Time addresses two areas of interest in recent film study\u2014film temporality and film philosophy\u2014to propose an innovative theorization of cinematic time that sees it as a dynamic process of engagement, or something we do as viewers. This active relation to cinematic time, which discloses a film\u2019s temporal character, is called its \u201Ctimeliness.\u201D Here it is traced across a range of fascinating case studies from Hollywood and the global art cinema, uncovering each film\u2019s characteristic way of \u201Cdoing time.\u201D Throughout, the ambiguities of filmic time are held as powerful attractions as they modulate film viewing: such pauses, gaps, repetitions, and stretches of time illuminate a living field that extends from viewing activity.

Drawing on the writings of French film critic and theorist Andr\u00E9 Bazin, as well as the phen.

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